#elevator analysis

[melbatron5000]

The Big Damn Kiss

Buckle up, my fellow Good Omens Ineffable Mystery Puzzlers, Crackpotters, and Assorted Brainrotters, because I learned something HUGE yesterday.

This will be a bit of a long post, because I want to show you exactly how I got where I am. I want you to understand. I want to put all the naysayers to bed (ha! But I'm still gonna try), and settle this once and for all.

I know (almost) exactly what Crowley gave to Aziraphale during the kiss.

DO NOT TAKE ANY OF MY THEORIES TO NEIL! PLEASE!

Okay? Okay. Thanks. Shall we begin?

Ahem.

Firstly, whether you believe me or not, I am 100% certain that Crowley did, indeed, give something to Aziraphale in his mouth during The Kiss. I've covered that in the link previous. Okay? Okay.

I did not know what it was. I've now heard theories that it was a bullet (nope), a ball bearing (nope), hellfire (nope), and no one, NO ONE has suggested what I see. (If you have, hello! Talk to me!)

Here's our first foreshadowing Clue:

And here's our next foreshadowing Clue:

And the next:

And our last Clue:

With me so far? Well, that first GIF is a bit off, I couldn't find one of Crowley actually spitting out the flies. But he does. When Beelzebub first drags him to Hell, he actually goes "Pleaugh!" and spits out four or five flies. Edit: Found it!

Moving right along, we come to Crowley in Heaven with Muriel, looking at the trial. We learn two important things here:

One, Gabriel doesn't have a desk.

Two, Muriel does. Where they keep the records. And it's a bit lonely. Every few hundred years, someone comes and asks for something. Muriel can't access the sensitive ones, you have to be pretty high up. A throne, dominion, or higher. Like, maybe Supreme Archangel?

So if Gabriel doesn't have a desk, whose desk is he at when he's getting ready to leave Heaven? Of course I can't find a damn picture of Gabriel at the desk, but it's Muriel's. Where they keep the RECORDS.

Gabriel puts his memory into the fly, then gets on the elevator to go to Earth.

Now, when Gabriel opens the fly with his memories inside, we find out that it's a container. Bigger on the inside. You can put thing(S) in it. The bit we see of him remembering is shot in two parts, one where he's flying down a red tunnel, one where he's flying down a blue. If you slow this scene down and watch, you can see that he is NOT looking at just his own memories. There is more going on here, more that he was not present for. @embracing-the-ineffable put up a great meta about that here. Go look!

Now I figured Gabriel must have taken something else. Something important. Something useful. Something he meant to give to Aziraphale, except he forgot.

I also figured he must have left whatever it was in the fly when he took his memories out. Crowley must have realized while watching the trial footage that Gabriel also grabbed something else. I don't know when Crowley grabs the fly, but he does. And that is what he gives to Aziraphale in the kiss. Why? Well.

I had no idea what Gabriel took until I started working on the chiastic structure of season 2. I'm not done with that analysis yet, but let me show you one thing that I have found so far:

(The numbers are just to try and help me navigate the story and its events without time stamps)

My note #357 of what happens isn't quite right, but when I saw the only two times Aziraphale says "I forgive you" are towards the beginning of Season 2 and towards the end, I realized I had something.

Rephrase line 357: Crowley's kiss is forgiven IN EXCHANGE FOR RECORDS.

(Not that I think Crowley's kiss needs to be forgiven. It's just what Aziraphale says, and had to say at that moment, because the Metatron was listening in.)

What does Heaven in Good Omens remind us of most of all?

A big corporate entity. And what do powerful people do when they get fired from a big corporate entity? They download all their emails while they're cleaning out their desks. Damning emails. Emails that can be used to black mail or even destroy big corporate entities. Or, ya know, maybe they swipe some sensitive RECORDS?

Oh yes.

Records that Gabriel meant to give to Aziraphale, but he forgot. Records that Crowley realized Gabriel had put in the fly. The fly that Crowley grabbed once Gabriel had his memory out. The fly that he gave to Aziraphale when he kissed him. The fly that no longer held Gabriel's memory, but did still contain those damning records.

Here's Aziraphale reading the records:

Here's Aziraphale being horrified and outraged by what he's reading:

And here's Aziraphale realizing he has got some GOOD DIRT on Heaven. Maybe enough to bring them down:

That's it folks. I have no idea what the records actually say, and maybe we're not meant to know until season 3, but whatever it is, it's GOOD.

That's my story, and by God Herself, I'm sticking to it.

[ven10]

Something about the Baudelaires+the tragedies they face being associated with fire (the fire that destroyed their home, the fire at the Caligari Carnival, the fire at the hotel Denouement…) vs the Quagmires+their tragedies being associated with water (Duncan+Isadora being kidnapped+stashed inside a statue of a fish then later inside of a fountain, the Baudelaires finding Quigley in the Hinterlands surrounded by ice, Quigley+Violet having a key moment on a frozen waterfall, Quigley+the Baudelaires escaping via said waterfall, Quigley being seperated from the Baudelaires by the Stricken Stream, Quigley sending a telegram to Violet whilst she is in a submarine fully submerged in water, the Baudelaires almost reuniting with Quigley after travelling in the depths of the sea in ‘The Grim Grotto’, in ‘The Penultimate Peril’ when it’s revealed that Duncan+Isadora are in danger of drowning as eagles attack their self-sustaining hot air mobile home which is flying over the sea and,of course, all three Quagmire triplets becoming lost (in the sea) to the great unknown.

This is especially evident in ‘The Vile Village’ when the Baudelaires have just rescued the Quagmires who at that point were “two dripping figures” bc of the “rushing water” of the fountain they were trapped in which is then contrasted, merely one paragraph later, by the man who causes the majority of the Baudelaires troubles brandishing fire, “Detective Dupin, holding a torch and heading straight toward the Baudelaire orphans.” [evidence taken from pages 210+211 of ‘The Vile Village’.]

This could represent a number of things:

1: The Quagmires trying to help the Baudelaires like how water extinguishes fire.

2: The cold way in which Olaf uses the Quagmires solely for their fortune and his own sadistic purpose as opposed to his hunting down of the Baudelaires being fuelled by burning revenge.

It’s also interesting how Duncan+Isadora are associated with water whereas Quigley is initially associated with ice in TSS until he+the Baudelaires begin to rely on each other and then he is associated with water (the ice of the stricken stream cracking and Quigley being carried away with it). Due to this, there is solid reasoning to view water in asoue as a metaphor for friendship (at least in the case of the Quagmires).

[sugarcarnation]

love love love how similar these two panels are. makes me insane

[kohakurin8]

~ Elevator Hitch ~

What Does it All Mean!?

A brief theory on the symbolism and lore behind a really cool game

⚠️ WARNING ⚠️

This post will contain SPOILERS for the game and all 14 endings. If you wish to play Elevator Hitch before reading, you can download it for free at this link.

So, Where do we begin?

Elevator Hitch is a really cool isolated-loop surreal horror game. For those of you who aren't familiar with this concept, an "isolated-loop" is a time-loop scenario which only affects a single person, small group of people, single room, etc. — but does NOT affect the entire world or universe. This is where it's common to see things like acquiring an item in your inventory, getting murdered, then waking up again at the beginning of the day with the item still in your inventory.

This concept has been used in various different media, and to varying different degrees of complexity. But, honestly, I think this game is my favorite instance of it so far.

So our story revolves around Protag, a somewhat meek and nervous lil guy who comes to this office building to take an interview for a new job. All he knows is that his interview isn't on the first floor, so he gets in the elevator in an attempt to find it. Before the door closes, Coworker forces his way in, and the elevator suddenly shorts out and jams before you two can begin your journey. The rest of the game is your various attempts to exit the elevator (alive) which get increasingly bizarre — especially after Protag realizes that whenever he dies, time restarts to when they first entered the elevator!

Shame Coworker doesn't seem to remember anything, though...

Now, since the lore within the game is pretty cryptic, none of our questions about the situation ever seem to get totally answered. It's up to the player to theorize and surmise just what exactly is happening to Protag and Coworker, and that's exactly what I've come here to do.

Death and Clues on Every Floor...

Literally! Every floor is a single room containing at least 1 clue, and at least 1 possible death — including the elevator itself. But what's even more important than that is the lore that all of these scenes show you.

Interestingly enough, the lore all seems to revolve around who Protag is as a person, to the point that one of the floors is actually his childhood bedroom.

Kind of intriguing that everything about this environment is centered around him, huh?

Hold onto that thought.

Every room and scenario is increasingly more bizarre, featuring anything from Eldritch-esque beings to settings that could almost pass for torture chambers. Every puzzle requires something from a different floor, making it ridiculously easy to screw up and croak, meanwhile Coworker is so maddeningly unaware that even when he tries to offer advice it's just as cryptic as the situation itself.

It all feels a lot... Like Hell...

Not just as an expression, but actual Hell. Mind rending stimuli navigated through tedious puzzle solving, where the penalty is gruesome death and the only reward is more torture. A neverending loop of suffering and confusion. It's all quite hellish!

At first this feels a bit superficial. "Of course it's hellish, this is a horror game!" But, honestly, good horror like this game is rarely ever bizarre and incomprehensible for the sheer shock value. If all of these allusions were superficial, why would we have such a detailed and cryptic conversation with Manuel, the maintenance worker?

Why would every single "correct answer" to the puzzles have sinister undertones?

Why would the religious subtext in Protag's room be so subtle and yet so distinct at the same time?

So if we humour ourselves and follow this train of thought then that leads one to wonder...

Why would Protag be in Hell?

Good question! After all, he doesn't even seem to be aware of having any initial death!

But, we are given breadcrumbs to what sort of person Protag is through the various different scenarios that ensue. Some things are minor details, like his lack of remorse for feeding an innocent rat to a hungry black hole. Others are more intense and significant, like the clues in his bedroom...

Let's start with pointing out the obvious direction that Protag's dialogue trees nudge you in.

After all, this game is a visual novel, so of course there are points when your dialogue options matter and can very well change the outcome of the situation. However, most VNs have options that are distinctly "good" or "bad" for the story directions, often leading the player on a journey of teaching the protagonist how to be a better person.

But Protag.... doesn't become better...

All of his dialogue options are either:

• Confusion, Frustration, Disbelief

• Self-Deprecating, Meek

• Deceptive

• Lashing Out

Obviously some of these options are better for certain scenarios. Deceiving Coworker into giving you his lighter is a way better idea than trying to steal it and burning you both to death.

And deceiving your Doppelgangers into trusting you before your brutal betrayal is arguably better than trusting them and getting betrayed in return.

But none of these options point to Protag being a good person. As much as he learns to adapt to his environment, nothing he does teaches him how to be a better person than he started out as. In fact, some of them even lead him to commit murder himself!

Of course, this isn't saying that Protag is necessarily a bad person either. After all, his initial reaction to the Doppelgangers is to trust them and even show them pity.

We also get a lot of information about Protag from the floor that mimics his childhood bedroom. He was monitored constantly by overbearing and religious parents, to the point that one of the Bad Ends is his parents entering the room.

He couldn't sleep, plagued by nightmarish beings which he even made drawings of, and had to take sleeping pills just to cope (which may or may not have been hidden from his parents as well)

Considering this, and just the sheer amount of existential dread Protag has upon visiting this floor, it's very possible that his parents were abusive. His personality issues are probably a result of that abuse, meaning even though he isn't necessarily a good person, he also isn't inherently a bad one.

The Allusions of Suicide...

This should honestly come as no surprise, but this game does have a lot of potential allusions to suicide. Especially when taking into account what suicide means in Christianity...

I first noticed this in the dialogue on Floor 9 with Normal Guy, as well as the dialogue contained in Ending 13 (screenshot above). During the interview on Floor 9, Protag seems to struggle with answering most of the questions. When asked why he wanted a new job, all of the answers imply that he doesn't actually know why, and when asked why he left his old job, Protag states that "it wasn't a Real Job" or at least not one viewed as respectable.

Then, when attempting to leave the Lobby on Floor 1, Protag is blocked by an alarming figure who berates him. The figure taunts Protag with phrases he's likely told himself, like "you worked so hard to get here" and especially "you NEED this job"

Now, this game absolutely LOVES its workplace puns, and something about these ones just struck me as significant. Upon further reflection on everything going on, I realized that these phrases are almost synonymous with suicidal thoughts.

As someone who's experienced this myself, I understand that a lot of suicidal thoughts are rooted more in the desire for change, and not the desire for death. So consider this...

Protag isn't looking for a new job, he's looking for a new life. His old life didn't feel "real" or "respectable", likely because of whatever abuse he endured from his parents. After all, his childhood bedroom is described by him as his "old place", meaning he likely was living with his parents until somewhat recently.

So then when he finally passes the interview — passes this hellish elevator trial of self-discovery — and tries to flee, he's stopped by the thoughts of regret for taking his own life.

"You worked so hard for this new life, why are you throwing it away?"

"You NEED this change."

"You can't go back to what you were before."

Then there's the Sleeping Pill found in Protag's bedroom. It's not found in a pill bottle or any other typical storage, but rather it's under the bedsheets. This gives the impression that the pill either fell out of Protag's hand in bed, or that he was hiding the pills from his overbearing parents.

Then there's the fact that sleeping pills are a very common medium for attempted suicide.

This leads me to suspect that Protag either overdosed in an attempted suicide as a child, causing his parents to become even more protective.

Or... This is how Protag ended up at the office building in the first place...

Welcome to Protag's Purgatory

Yeah, you may have guessed it already, but I am in fact suggesting that Protag has committed suicide and is currently trapped in Purgatory. After all, if you consider the distinct hint at his religious background, it's not unlikely to be following the Christian belief that suicide will condemn you to Purgatory. In fact, the opening of the game, where Protag feels like the only one who doesn't know where he's going, is a reference to the nature of Purgatory.

Consider, also, the nature of the game. Everything you do in it is a sort of trial, and it all tests the nature of Protag's true self. Not to mention that Purgatory is an unchanging limbo, just as the game paints a picture of an unending time-loop on repeat.

Protag took his own life, and his penance is to be trapped in an unending trial of self-discovery. Floor 9 resembles Heaven, like Cloud 9, where Protag is administered one final test. Normal Guy gives Protag the option to have become a better person, and possibly pass on to a better afterlife, however our dialogue tree tells us that Protag hasn't reached that level of self acceptance yet.

Therefore, the only options are what appears to be working in Purgatory (possibly like Manuel), enduring the trial over and over again, or as hinted by the eerie staircase downward in Ending 14, descent into Hell...

You're probably wondering if this theory accounts for Coworker, and it certainly does. After all, he seems rather unperturbed by the events he's undergone. I suspect he also committed suicide, but didn't have the same background of religious guilt that Protag had growing up. Coworker knows that he's supposed to go to the top, that he's supposed to pass on. He's at peace with who he is and where he's going, therefore he doesn't endure the same personal torture that Protag does.

No matter what ending you get in Elevator Hitch, nothing truly changes for Protag, because he himself hasn't changed. It's possible that there is some sort of future where Protag can change and move on — in fact, Normal Guy even hints that speaking to Coworker more could be the key to his salvation — but this possible future is one we will never see.

Because that's not the point of the game. The point is to become immersed in the torture which Protag goes through, and to try and unravel the mysteries of who he is and what he's enduring.

So there's my thoughts on the game. I hope you all enjoyed reading, and I'd love to hear any comments or input you have!

[lenle-g]

unhinged observation - we all know their colours don't match the traditional ones, but I've never noticed before that on the portraits they put Jeff in red and Virgil in green, but then they swap them over when we actually see them. In fact, //pause while Len goes to look// when they're in TB3, they're all wearing red - like all the space-rated suits, specifically are red. //Goes to check again// and Gordon and Virg are in green with TB2 in the opening rescue to match Jeff as well.

Does that mean, in 2004 verse, they wear whichever colour matches the 'bird they're currently flying because other than them needing 5 suits each... that's pretty cool can't lie good for them

ignoring the fact they look the same, I can be like ??? well yellow must be wetsuits, red is space rated?? Green is ?? tougher maybe, blue is for however many G's TB1 hits a body with when they're going crazy speeds, orange is a spacesuit for living in space etc etc

[bleue-flora]

c!stagedduo being treated as if they're Cold and only caring about power and them in some point using this image on their plans it's something doesn't leave My mind ever

Same. And I can’t help but imagine c!Dream and c!Punz laughing as they make the bunker, decorating it to make it look dramatic and villainous. Wondering just how far they can push it till someone sees through their production. What about a cow named Henry?- Even when Henry is dead. What about a 1x2 Skeppy Cage?- Even when there’s a prison being made. What about betrayal funded by the guy who lives in a dirt hill?- Even when c!Dream is one of the richest on the server.

And then I can’t help but imagine c!Dream and c!Punz crafting their over the top bad guy personas. C!Dream rehearsing his disc monologue to c!Punz, and giving tips to c!Punz on how to play the evil villain as they walk to confront clingy duo in the saw trap room. Did they practice their evil laughs? Did they plan out some lines?

When it worked. When it all worked. Did it hurt to have no one doubt any of it? Did it hurt when they believed every word?… Did they start to believe it too?

[felicitywilds]

The Magiciatron

A couple of posts came across my dash recently in quick succession about Crowley and Aziraphale’s costuming, and boy howdy did they get me Thinking™. The details of those posts are not super relevant, but they did inspire this one and were quite insightful, so I’d recommend giving them a read anyway, as well as the several other posts I have linked throughout where ideas were taken. Please do give those a read/reblog as well!

And then take a look at this post I saw:

“You’re not trying to trick me, are you?”

Now kindly consider the fact that Crowley is beside Muriel’s left shoulder (like an angel) and the Metatron is on Aziraphale’s right (like a demon). And notice, like I did, that the lapels on his coat are some of the lowest we’ve seen. Which, for an angel-who-isn’t-Aziraphale, and you know, the literal fucking voice of God, is pretty fucking weird. But I digress.

Because what’s important here is that you’re reminded, like I was, how weird it is that the Metatron is wearing so much black.

Surely the most important angel we’ve ever met-- who up to this point, has only ever been depicted as a brilliantly glowing white head, and is (stage blocking-wise, literally) above inhabiting the typical corporations that other angels have, even while in heaven-- surely he would be sporting the cleanest, purest, whitest clothes imaginable, right?

But... he isn’t. He’s not wearing grey or beige like any of the other angels, or even white like Muriel’s constable uniform, he’s wearing black. That’s weird! Angels don’t wear black! Oh... well except when they’re magicians, of course:

(X, X)

But even in his magician costumes, Aziraphale retains many elements of his angelic nature: the upward-pointed lapels; the white cuffs poking out of his sleeves; the floppy bow ties; the single-button or open jacket revealing the soft gold and velvet vests. This is merely a flashy costume! Don’t worry folks, he’s still the same, good old angel underneath!

The Metatron, on the other hand, does not have any of these angelic indicators. Underneath his magician’s coat-- which is big and loose, falls closed in front of him in a way that obscures his suit, and has extremely downward-pointing lapels-- he wears a dark tie, and a very normal-looking, white, pinstripe shirt. No angelic tartan to be seen, either. It’s a very understated, business-minded look compared to Aziraphale’s flashy stage getups. Also worth noting imo is that in many scenes, the Metatron has his hands in his pockets, which obscures his form even more.

Now this might be indicative of something more, some larger scheme we haven’t deduced yet, but by itself it’s a brilliant move by the costuming department, adding yet another perfectly conniving layer to the Metatron’s manipulations:

Dress him in the magician’s coat and send him on stage, where his tricks are hidden in plain sight...

Engage the audience to participate in a dramatic reveal...

Reassure his volunteer that his props are completely normal by offering them up for inspection...

Have the assistant do all the flashy presentation for him...

So that while the audience is distracted, they fail to notice...

... that a swap has been made...

And then the curtain falls. Show over. Audience fooled. Job well done.

The End.

[lightbulb-warning]

so has anyone figured out WHY there is the Need To Share our Artworks™ or is it just the vibes and our Soul apparently

[asukiess]

Since her introduction, Kagami has been holding a mirror to every other character, saying: this is what you’re avoiding, this is what you’re not addressing.

that sort of thing angers her because people COULD be living the life they want, could be free and happy, if they just addressed the problem head on. it’s what she does! and it works for her!

and then this season she’s faced with something she is looking directly in the face, multiple times (Perfection, Protection, Emotion): Adrinette. and she’s staring it down and repeating the same things: they’re together, they’re in love, they’re both growing immensely as people and following my advice. they’re still my friends.

so why does it still hurt?

the fact is that her usual method of moving past something isn’t working. she’s stuck.

Enter Felix, who has his own agenda about freeing sentipeople, presents her with some new line of thinking: you’re not as free as you claim to be.

ik he’s talking about her being controlled, but it’s also someone calling her out yknow! he just asked her if she was jealous, if she’d run away with him, etc. it’s like, hm, you’re not really living the life you want to either.

[undermine-the-instinct]

Imma say it right now---I think young Xie Lian is annoying

[gayofthefae]

This episode was about subtly letting Lucy know that when and if she's ready, Tim will be there to return to and is working on becoming someone she'll want to return to. He's in therapy for his struggles with opening up and his self esteem issues, he regrets leaving, and he will give her everything he has at whatever distance she wants, further or closer, for the "rest of [his] life".

[javaberrychip1998]

I need a trans woman who likes the show Wicked to talk to about the “elphaba as a trans woman” parallels because I think there are so many of them but also because I’m cis there is the possibility that I’m using stereotypical ideas about the transfem experience in my analysis

[vimbry]

can't stop listening to that "lose yourself/mr blue sky" mashup I've never heard it until now WHY is it so good, it's so uplifting, I feel power

[nalyra-dreaming]

Hello there again .

I don't know if it was your post or Virginia's post about the poster in the elevator .

There was a post you had on analysing the position of the iwtv comic con posters in the elevator for S2 . And it was such a great theory . Can you please share the link of that post again ?

Hey!

I think you might mean this one?!

[universalthaumaturge]

ok i get why anthy has creature of delirium now

[aeide-thea]

do we think it’s possible to say you ‘find something amusing’ in all sincerity or is a lifted-eyebrow note of wry judgment just unavoidably conveyed by that phrasing